It worked really well, but what a poor quality it was. That just let me remember the 90's when I built up an easy sound digitizer based on a simple DAC. And Stereophonik uses uncompressed 44.1kHz _stereo_ samples - well, panned mono samples, to be correct.Īmazing.
#Digi 003 only using 44.1khz tv#
The We Are Demo-part with the TV head has 29 seconds of sequenced 63kHz samples together with demo effects and on-screen equalizer. Not really: Both We Are Demo and Concert uses 63kHz compressed samples with badlines and _no_ easyflash. > To the best of my knowledge, the highest sample rate achieved on the Commodore 64 was 44.1Khz for uncompressed samples Submitted by Pex Mahoney Tufvesson on 17 March 2018 The fact itself that you are here commenting on this, makes me really proud. You probably forgot that, but I still treasure those emails as proof of how incredibly great this community is. Also for explaining it to my dumb self, few years ago. Without you, none of this would be possible. Flashcards in this case are playing against speed.īy the way, I take the chance to thank you for the Digi playing routine that you invented. Also,working from RAM, you could hardcode amplitude values to the codebooks, like I did in my game, saving 4 more cycles per sample.
In fact, all the bank switching stuff takes up a lot of cycles,and this could play at a much higher frequency from RAM. Well easyflash here is just used to put A LOT of stuff, and it's not helping on the decoding end in any way. but that is just how i ended up going, you could spend more or less, go easier or harder, simpler or more technical, as long as it gets the job done thats the main thing.- C64 48Khz HiFi Digi Player 1 by Antonio Savona (2018)Ĭomments directly about this release -> here in the commentsĪnd to say that We are demo is one of my favourite dmeos of all times! My point here is, after the ultrgains failing and having to be fixed several times and going threw 4 of the converters before giving up, i spent $50 bucks on a used 4 channel mixer with a built in usb port and eliminated that whole equation. all in all once you got the whole set up going a $250 mbox and all the stuff to get the ultragain to work is not that far apart cost wise. you mise well forget about the optic ports since not to many things other then tv's and dvd players even have them anymore. or you can buy a trs to rca jack for a couple bucks and bypass the ultragain all together. which means you have to buy something else to convert xlr to rca. Ultragain + usb converter is not all thats required. and to some people $40 bucks every few months may be worth it, ok. The difference between using something like an mbox and an ultragain w/ a usb converter is that the mbox is more stable, the ultragains are prone to pots going out and various other things, as well as those cheap $40 usb converters (i didn't say lots of money mind you), if you check around many many people have complained about 1 side or the other shorting out after a few months use. and just speaking from experience (i have 2 of them sitting in the studio right now) just to convert analog to digital and vise versa there are easier and better ways to do it. Maybe i phrased that wrong, i was just pointing out that it does not hook up to a computer like people were suggesting.
Mic/line inputs are routed to ADAT output The ADAT I/O can be operated independently with an identical word clock signal.īehringer ADA8000 Ultragain Pro-8 A/D/A Converter Features:Įxternal sample rate synchronization via word clock or ADAT inputĪDAT input can be routed to all line outputs Selectable signal conversion allows processing at 44.1kHz or 48kHz with 24-bit resolution. It will even connect the digital signal of a multitracker via ADAT to the 8 line outputs of the ADA8000. You can connect analog audio signals directly to a multitrack recorder or similar equipment via the integrated ADAT interface-and it takes up only one rackspace. The Behringer ADA8000 Ultragain Pro-8 A/D/A Converter is a state-of-the-art 8-channel A/D/A converter with built-in phantom-powered Invisible Microphone Preamplification (IMP) mic preamps.
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